Abstract
This essay provides an overview of the eras of Mexican cinema followed by an analysis of 10 Spanish-language narco cinematic representations, an overview of the eras of American cinema followed by an analysis of 10 English language narco cinematic representations, and a conclusion that compares and contrasts the Mexican and US narco war cinematic experience. Due to divergent national trajectories – Mexico is engulfed in narco violence and corruption while the United States is not – more differences than similarities exist between these national cinematic genres. Dark spirituality themes are also increasingly evident in more recent narco war films.
| Original language | English |
|---|---|
| Pages (from-to) | 702-716 |
| Number of pages | 15 |
| Journal | Small Wars and Insurgencies |
| Volume | 26 |
| Issue number | 4 |
| DOIs | |
| State | Published - Jul 4 2015 |
UN SDGs
This output contributes to the following UN Sustainable Development Goals (SDGs)
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SDG 16 Peace, Justice and Strong Institutions
Scopus Subject Areas
- Political Science and International Relations
Keywords
- Mexico
- Santa Muerte
- Sinaloa Cartel
- cartels
- cinema
- films
- narco cinema
- narcotics
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